In 1986, Ice T's song " 6 in the Mornin'," diverting from electro rap and "funk hop" some fanfare in the Los Angeles area's rap scene, was gangsta rap's inaugural anthem, reaching gold sales. And in June 2020, amid America's escalating racial tensions, he sought the cover's removal from music streaming. But in 2019, to stem conflation of its slang term niggas for racial slurring, Folds had stopped performing it. Surviving his 2008 attempt to retire it, it was a humorous fixture of live Ben Folds sets into at least 2017. Still, when listening, a woman may instead identify even with the male vocalists and, singing along, feel herself aggrieved by "bitches." Music artists who have borrowed are many, including rapper Lil' Kim styled as the "Queen Bitch," some rehashing the hook to slur men by opening, "Niggas ain't shit." Further, in early 2005, rock artist Ben Folds released an abbreviated cover version -only Dre's and Snoop's lyrics, including the vulgar hook-a "hipster rendition," ironically sentimental, later called "a gorgeous piano ballad." In April 2005, it placed #71 on the main popular songs chart, the Billboard Hot 100. Reportedly, in 1995, it motivated Sarah Jones's performance poem "Your Revolution," a feminist rebuke of salacious rap lyrics about women.
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Social critics alleging adverse cultural effects by gangsta rap have recurrently indicted this song. Becoming iconic, "Bitches Ain't Shit" reshaped both rap and R&B, which, merging, became popular music, reshaping America's popular culture, if largely by women's scornful reactions and sometimes proclaiming the title bitch in effort to redefine it. Dre and Snoop thus refashioned the rap gangsta from an angry menace to society, à la N.W.A, into an urban socialite, threatening violence only to guard his own lifestyle of leisure and indulgence. In 1994, at the ensuing Congressional hearings, Tucker called gangsta rap, especially Snoop's, "pornographic smut." Yet its foothold proved secure. Delores Tucker largely targeted this song, album, and record label. But in 1993, leading a national campaign against gangsta rap, activist C. Its smooth musicality advanced gangsta rap-via the album's singles, lyrically milder-onto popular radio and music television. But even women often liked or loved the song, compelling in "the beat" and, lyrically, "the flow." Dre's musical sound, borrowing from funk and soul music, shaped a new rap subgenre, gangsta funk, G-funk. In an era when popular songs still idealized women, this song appalled many. R&B singer Jewell, the only female, has the closing verse, boasting indifference as "a bitch that's real." Until the album's 2001 reissue, this song was a hidden track-unforeseen by the album's first buyers -but, hitting especially hard, it helped drive album sales. Largely debuting via this album, Snoop also raps this song's hook, which reduces "bitches" to performing fellatio, and which fellow guest rapper Daz's verse heralds as "the anthem." Dre's verse, the song's first, overlooks literal women to disparage his former N.W.A bandmate Eazy-E as a "bitch," who allegedly cheated Dre of money, and to incidentally call N.W.A's manager Jerry Heller, allegedly complicit, "a white bitch." Snoop's own verse portrays a former girlfriend, unfaithful but perhaps fictitious, "a bitch named Mandy May." Between Dre's and Snoop's verses, Daz's verse and then guest rapper Kurupt's verse both demote women to mere indulgences.
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Billboard notes, however, "the misogyny is ugly and thick, even for a rap record." It evokes a set of four male running mates who rap sagas and lessons altogether teaching that "bitches," being women, are ripe for sexual indulgence, and sometimes offer easy money, but, being traitorous, are just "hos and tricks." Simultaneously notorious and a rap favorite, this song, employing pimp values and language, helped establish the early persona of its guest rapper Snoop Dogg.
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In late 1993, discussing a set of public protests over this song, rap journalist Dream Hampton incidentally called it, artistically, the best song on the year's best rap album. Though never a single, "Bitches Ain't Shit" was a huge underground hit. Dre's debut solo album, The Chronic, released in December 1992 as Death Row Records' first album. " Bitches Ain't Shit" is a rap song that closes American record producer and rapper Dr. Dre featuring Snoop Doggy Dogg, Dat Nigga Daz, Kurupt, and Jewell